Dear friends and music & sound lovers,
We fit a radio station into a suit-case and travel to Art4Artbnb in Amsterdam!
Bring a FM / UKW radio and join us for music and radio art broadcasted via micro transmitter.*
This is the first part of a potentially new project. We will be in Amsterdam for a week from Monday and it would be lovely to catch up with you. I lost some contacts over the year, so feel welcome to spread the word that we are coming to the Netherlands.
Stay tuned,
Xenia_Niki Matita & Christian
KOFFERradio.1
Friday, 19. Juli 2019 – 18:00 bis 22:00
Art4Artbnb, Oude Haagseweg 119-1, 1066 DC Amsterdam
Niki Matita (FREIES RADIO Berlin)
is an artist, record entertainer, radio producer and presenter among many other things. Her radio shows SubCult – Sounds beyond Mainstream, ibid, Einheimische Gewächse and others are broadcasted in Berlin and re-run internationally. Lately she focuses mainly on radio art. With Datscha Radio she realizes garden-related events, projects and festivals.
Karl marx stadt or Walter Schulze (Karl Marx Land)
is an electronic music artist who is working mostly in the field of heavy, fast & complicated but cheesy dance music. After slowly stepping back from the late 90ies mostly sample based hardcore project Society Suckers, recent years have spawned a love for analogue techniques, dub and stronger emphasis on melodic elements. Live shows can be an amusing blend of hyperenergetic Rave mixing and carefully paced dubbing sessions incorporating circuitbending, synthesizers, childrens’ toys and of course, the universe.
PLUS local joker
Matthijs Kouw aka Clinamen / MVK (Moving Furniture Records)
is an experimental musician based in Utrecht (Netherlands) exploring the relationship between movement and stasis. Using analog synthesis, software, field recordings, and recordings of various objects, Matthijs combines long-form drone with elements from acousmatic music, noise, and microsound.
*Online stream uncertain, archived recordings may be available later
Quelle: Per Mail von den Organisatoren.
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