Given escalating public concerns over the implications of Artificial Intelligence, this conference probes AI’s cultural implications through the enduring relationship between music and AI – evident in the influence of cybernetics on music, in Marvin Minsky’s work at MIT, and recently in the burgeoning field of Music Information Retrieval. Speakers will probe the risks and opportunities associated with music recommendation algorithms, automated genre mapping tools, emotion recognition systems, and machine learning-based creative tools. Issues are likely to include automating musical creativity, biases in recommendation algorithms, the long-term cultural effects of AI in music, and the desirability of transparency and accountability. If, as Kate Crawford and Vladan Joler put it, ‘the new gold rush in the context of AI is to enclose different fields of human knowing, feeling and action, in order to capture and privatize those fields’, then how is music inflected by these imperatives, what might be done to alter them, and what musical futures will result?
Confirmed invited speakers
- Jonathan Sterne (Mcgill University, Montreal, Canada)
- Eric Drott (The University of Texas at Austin, TX, USA)
- Fernando Diaz (Microsoft Research Montreal, Canada)
- Aaron Einbond (University of London, UK)
- Nick Seaver (Tufts University, Medford, MA, USA)
- Rebecca Fiebrink (Goldsmiths, University of London, UK)
- Chris Haworth (University of Birmingham, UK)
Programme
Tuesday, 28 May 2019
09:15 – 09:45 Registration and welcome
09:45 – 11:15 Session 1: Histories | Chair: Steen K. Nielsen
- Eric Drott, ‘Music AI: Copyright, Compensation, Commons’
- Christopher Haworth, Ways Of Not Knowing: Formal and Disciplinary Indeterminacy in the 1968 Cypernetic Serendipity Exhibition’
- Respondent: Mads Krogh
11:15 – 11:30 Coffee
11:30 – 13:00 Session 2: Ethnographies |Chair: Georgina Born
- Jonathan Sterne, ‘Machine Listening and Aesthetics: The Case of AI-Assisted Mastering’
- Nick Seaver, ‘Preferential Technics and the Cosmology of Overload’
- Respondent: Anja Bechmann
13:00 – 14:00 Lunch
14:00 – 15:00 Session 3: Accountability, Transparency and Ethics | Chair: TBA
- Fernando Diaz, ‘The Social, Legal and Algorithmic Study of Artificial Intelligence’
- Respondent: Peter Dalsgaard
15:00 – 15:15Coffee
15:15 – 16:45 Session 4: Creative Interventions | Chair: TBA
- Rebecca Fiebrink, ‘Beyond Automated Creation: Making Machine Learning Useful, Accessible and Understandable to Creative Practitioners’
- Aaron Einbond, ‘Algorithmic Composition Subverted’
- Respondent: Morten Breinbjerg
16:45 – 17:15 Discussion and closing remarks | Chair: Georgina Born
19:00 – 22:00 Conference dinner (for invited speakers only)
Organizer
Georgina Born, AIAS-COFUND Fellow & Professor at Oxford University, UK
georgina.born@aias.au.dk
Quelle, weitere Infos und Registrierung: http://aias.au.dk/events/aiasconference-musicandartificialintelligence/
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